July/August 2015

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Cover: Noah Baumbach’s Mistress America by Alex Ross Perry

Features: Christian Petzold by Jonathan Romney
Marielle Heller’s The Diary Of A Teenage Girl by Amy Taubin
Pedro Costa’s Horse Money by Kent Jones
Richard Lester by Richard Combs
The Late Films of René Clair by Philip Kemp
Game Changers: Slow Motion by Paul Schrader

Hot Property: Jonas Carpignano’s Mediterranea by Nicolas Rapold

Alex Cox’s 10,000 Ways to Die: Abner Benaim’s Invasion

Site Specifics: elumiere.net by Violet Lucca

Trivial Top 20: Best Performances by Former Pro Athletes

Matías Piñeiro’s In the Moment: Marie Rivière in The Aviator’s Wife

Restoration Row: Fernando Solanas’s Sur by Max Nelson

Fade Out: Richard Corliss by David Thomson

Sound: The Decline of Western Civilization by Chuck Stephens

Vision: “China Through the Looking Glass” by Aliza Ma

A Face in the Crowd: Charles Napier by Chuck Stephens

Festivals: Cannes by Amy Taubin, Kent Jones, Dennis Lim, Gavin Smith, and Laura Kern, Tribeca by Amy Taubin

Screenings: Inside Out by Michael Sragow, Irrational Man by Jonathan Romney, Court by Adam Kuruvilla Lelyveld, The End of the Tour by Steven Mears

Short Takes: Amy by Nicolas Rapold, The Kindergarten Teacher by Nicolas Rapold, Southpaw by Laura Kern, The Stanford Prison Experiment by Max Nelson, Tangerine by Violet Lucca, What Happened, Miss Simone? by Andrew Chan

Home Movies: Agnès Varda in California by Emma Myers, Kung Fu Killer by Grady Hendrix, The Young Lions by Michael Sragow, Angst by Marc Walkow, Walt Disney Animation Studios Short Films Collection by David Filipi, Truck Turner by Rufus de Rham, Stay as You Are by Steven Mears, The Entire History of the Louisiana Purchase by Nicolas Rapold, Lost Riverby Nathan Lee, Killer Cop by Nick Pinkerton

Readings: Wild Bill Wellman by William Wellman Jr., reviewed by Farran Smith Nehme; Life of Action: Interviews with the Men and Women of Martial Arts and Action Cinema by Mike Fury, reviewed by R. Emmet Sweeney; The Lives of Robert Ryan by J.R. Jones, reviewed by Justin Stewart; Italian Fascism’s Empire Cinema by Ruth Ben-Ghiat, reviewed by Stanislao Pugliese

Graphic Detail: Bob Peak by Adrian Curry