July/August 2018

Current Stock:

CoverBlacKkKlansman director Spike Leearticle by Teo Bugbee an interview with Lee by Nicolas Rapold

FeaturesSorry to Bother You by Ina Diane Archer

Bi Gan’s Long Day’s Journey Into Night by Dennis Lim

Letters to Len by Paul Schrader

Isao Takahata by Violet Lucca

Here Come the Drones by Eric Hynes

Ingmar Bergman by Olivier Assayas

Inspired: Alice Rohrwacher on Happy as Lazzaro

Release Me: Ognjen Glavonic’s The Load by Jordan Cronk

Directions: Jia Zhangke by Amy Taubin

Restoration Row: Djibril Diop Mambéty’s Hyenas by Max Nelson

Critics' Choice: Critics rate and comment on new releases

Make It Real: Wang Bing’s Dead Souls by Eric Hynes

Art and Craft: DP José Luis Alcaine by Manu Yáñez Murillo

Finest Hour: George C. Scott in Islands in the Stream by Steven Mears

Off the Page: Jean Cocteau & Georges Franju’s Thomas the Impostor by Philip Kemp

Playing Along: Ryuichi Sakamoto and Love Is the Devil by Daniel Witkin

Festivals: Cannes by Amy Taubin, Kent Jones, and Nicolas Rapold

In Memoriam: Nelson Pereira dos Santos by Violet Lucca

ReviewsDon’t Worry, He Won’t Get Far on Foot by Molly Haskell, Eighth Grade by Madeline Whittle, Blindspotting by Tayler Montague, Madeline’s Madeline by Devika Girish

Short TakesSupport the Girls by April Wolfe, Leave No Trace by Nick Davis, Nico, 1988 by Margaret Barton-Fumo, The Captain by José Teodoro, Good Manners by Nicolas Rapold

Home Movies: The current state of gay streaming by Michael Koresky, Allan Dwan & Douglas Fairbanks’s The Good Bad Man & The Half-Breed by Nick Pinkerton, The Ballad of Gregorio Cortez by Justin Stewart, Cargo by Chloe Lizotte, The Changeling by Nicolas Rapold, Sweet Sweetback’s Baadasssss Song by Nick Davis, Vigil by Maitland McDonagh, The Complete Hal Roach/Thelma Todd/Patsy Kelly Comedy Collection by Steven Mears, Wish List: Ruby in Paradise by Laura Kern

Readings: Montage by Mrinal Sen, reviewed by Devika Girish; Bruce Lee: A Life by Matthew Polly, reviewed by R. Emmet Sweeney; Sterling Hayden’s Wars by Lee Mandel, reviewed by Mark Asch

Graphic Detail: Barbara Baranowska by Adrian Curry

A digital copy of this issue is available on Zinio.