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Cover: Wes Anderson's The Grand Budapest Hotel
by Geoffrey O'Brien
Features: Lars von Trier’s Nymphomaniac
by Jonathan Romney
Albert Serra
by Manuel Yáñez-Murillo
The Sensory Ethnography Lab by Irina Leimbacher
Auteur Theory 2014 by Kent Jones
Captain Phillips & A Hijacking by Chris Norris
39th Annual Grosses Gloss by Donald Wilson
China and Hollywood by Michael Berry
Hot Property: Aleksei German's Hard to Be a God
Alex Cox’s 10,000 Ways to Die: Jean-Pierre Melville's Le Deuxième Souffle
Site Specifics: The Seventh Art
Trivial Top 20®: Best Night Movies
Restoration Row
2013 Readers' Poll
Olaf's World: Yves Boisset
Encore:
Raúl Ruiz’s Life Is a Dream and The Blind Owl by Jonathan Robbins
Sound & Vision:
Michael Snow by Amy Taubin and Matthew Barney by Margaret Barton-Fumo
Festivals: Sundance by Amy Taubin and Laura Kern and Rotterdam by Gavin Smith
Screenings:
The Unknown Known by Jennifer Dworkin, Interior. Leather Bar. by Nathan Lee, Journey to the West by Grady Hendrix, Enemy by José Teodoro, Only Lovers Left Alive by Amy Taubin
Short Takes:
Blue Ruin by Laura Kern, Cheap Thrills by Violet Lucca, It Felt Like Love by Violet Lucca,The Missing Picture by Nicolas Rapold, Under the Skin by Nicolas Rapold, Le Week-End by Eric Hynes
Home Movies:
The Counselor by Amy Taubin, The Postman Always Rings Twice by Frank Ombres, The Fantastic Mr. Fox by David Filipi, Nostalghia by Chuck Stephens, The Year of the Cannibals (I cannibali) by Michael Chaiken, A Brief History of Time by Morgan Wilcock, Many Wars Ago (Uomini contro) by Jared Eisenstat, The Stuart Hall Project by Patrick Friel, Foreign Correspondent by Max Nelson, Deseret & Four Corners by David Gregory Lawson
Readings: Joe Dante edited by Nil Baskar and Gabe Klinger, reviewed by Leah Churner; Edgar G. Ulmer: A Filmmaker at the Margins by Noah Isenberg, reviewed by Michael Joshua Rowin; The Sky Between the Leaves: Film reviews, essays & interviews 1992-2012 by David Walsh, reviewed by Michael Pattison; Videoland: Movie Culture at the American Video Store by Daniel Herbert, reviewed by Benjamín Schultz-Figueroa
Graphic Detail:
Anselmo Ballester
