March/April 2016

Current Stock:

Cover: Apichatpong Weerasethakul interview on Cemetery of Splendor by Violet Lucca

Features: pre-Stonewall queer cinema by Michael Koresky
Vincent Lindon interview by Joan Dupont
King Hu by Andrew Chan
The American voice in film by Kent Jones
Grosses Gloss reloaded by Donald Wilson
Game Changers: production design by Paul Schrader

Hot Property: Pietro Marcello’s Lost and Beautiful by Nicolas Rapold

Site Specifics: Sound Design by Matthew Morrison

Matías Piñeiro’s In the Moment: Louise Beavers in Imitation of Life

Restoration Row by Max Nelson

Sound: David Bowie by Nick Pinkerton

Vision: Alexander Sokurov’s Francofonia by Christina Svendsen

Critics’ Choice: Eight critics rate 25 new releases

Make It Real: All These Sleepless Nights and The Fits by Eric Hynes

Brief Encounters: John Turturro by Harlan Jacobson

Festivals: Sundance by Amy Taubin and Laura Kern

Screenings: Everybody Wants Some by Nick Pinkerton, The Lobster by Yonca Talu, Green Room by David Fear, Marguerite by Kristin M. Jones

Short Takes: Emelie by R. Emmet Sweeney, Louder Than Bombs by Yonca Talu, Miles Ahead by Andrew Chan, Neon Bull by Violet Lucca, Remember by Steven Mears, Take Me to the River by Manuel Betancourt

Home Movies: Paris Belongs to Us by Nick Pinkerton, The Southerner by Michael Sragow, A Brighter Summer Day by Andrew Chan, Nikkatsu Diamond Guys, Volume 1 by Marc Walkow, Paolo Gioli: The Complete Filmworks by Patrick Friel, Murder in the Cathedral by Graham Fuller, Creed by Eric Hynes, Try and Get Me! by Steven Mears, The Littlest Hobo by Violet Lucca, The Unseen by Nicolas Rapold

Readings: Stuntwomen: The Untold Hollywood Story by Mollie Gregory, reviewed by Grady Hendrix; White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan by Tom Rice, reviewed by J. Hoberman; Strange As It Seems: The Impossible Life of Gordon Zahler by Chip Jacobs, reviewed by Matthew Morrison; Independent Stardom: Freelance Women in the Hollywood Studio System by Emily Carman, reviewed by Farran Smith Nehme

Graphic Detail: Peter Strausfeld by Adrian Curry

A digital copy of this issue is available on Zinio.