May/June 2018

Current Stock:

Cover: Juliette Binoche in Let the Sunshine In; article by Andrew Chan and interviews with Binoche and Claire Denis by Yonca Talu

Features: Nelson Carlo de Los Santos Arias’s Cocote and New Latin American Cinema by Violet Lucca 
Ari Aster’s Hereditary by Michael Koresky
Marlene Dietrich by Teo Bugbee
Le Cinéma du Glut by Nick Pinkerton 
Mothers and Melodrama by Shonni Enelow
Peter Nestler by Max Nelson
Inspired: Boots Riley on Sorry to Bother You 

Release Me: 
Ana Urushadze’s Scary Mother by Nicolas Rapold
Directions: Isabelle Huppert by Nicolas Rapold

Restoration Row: 
Fridrikh Ermler’s Fragment of an Empire by Max Nelson

Critics’ Choice: 
Critics rate and comment on new releases

Make It Real: 
The minimalist image (blank screens in documentary) by Eric Hynes
Art and Craft: Script Supervisor Mary Cybulski
Finest Hour: Tsai Chin in The Joy Luck Club by Andrew Chan
Off the Page: Mary Ellen Bute’s Passages from James Joyce’s Finnegans Wake by Sheila O’Malley
Scare Tactics: Sense-deprivation horror by Laura Kern
Playing Along: Mauricio Kagel’s Ludwig Van by Daniel Witkin
Currents: Hu Bo’s An Elephant Sitting Still by Nicolas Rapold, Luise Donschen’s Casanova Gene by Jordan Cronk, Leigh Ledare’s The Task by Nicolas Rapold, André Gil Mata’s The Tree by Jordan Cronk, Burak Çevik’s The Pillar of Salt by Yonca Talu  
Reviews: First Reformed by Aliza Ma, Angels Wear White by Amy Taubin, In the Last Days of the City by Jeff Reichert, Araby by Mark Asch
Short Takes: Summer 1993 by Manu Yáñez Murillo, On Chesil Beach by Michael Koresky, En el Séptimo Día by Nicolas Rapold, Beast by Chloe Lizotte, The Guardians by Kristin M. Jones 
Home Movies: El Sur by José Teodoro, Specters of Freedom: Cinema and Colonization by Devika Girish, The Ancient Law by Steven Mears, Liquid Sky by Maitland McDonagh, Mon Mon Mon Monsters by Margaret Barton-Fumo, Moon Child by Violet Lucca, No Down Payment by Michael Sragow, The Outer Limits&a