September/October 2014

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Cover: David Fincher's Gone Girl by Amy Taubin

Features: Lisandro Alonso by Quintín 
Damien Chazelle's Whiplash by Chris Norris
Mike Leigh's Mr. Turner by Jonathan Romney
Joseph L. Mankiewicz by Robert Horton
Kevin Kline by Eric Hynes
Game Changers by Paul Schrader
Andy Warhol's Poor Little Rich Girl by J. Hoberman

Hot Property: Bruno Dumont’s Li’l Quinquin by Nicolas Rapold

Alex Cox’s 10,000 Ways to Die: Anthony M. Lanza's The Glory Stompers

Site Specifics: cléo journal by Violet Lucca

Trivial Top 20: Best Films with a Body Part in the Title

Fade Out: Robert Gardner by Irina Leimbacher

Olaf's World: Nils Malmros by Olaf Möller

Sound: Alexandre Desplat by Robert Horton

Vision: The Dark Galleries by Adrian Curry

Critics' Choice: Eight critics rate 25 new releases

Encore: Lewis Allen’s Desert Fury by Ronald Bergan

Brief Encounters: Timothy Spall by Harlan Jacobson

Screenings: Maps to the Stars by Nathan Lee, Listen Up Philip by Max Nelson, Bird People by Matthew Connolly, The Strange Color of Your Body’s Tears by Michael Atkinson

Short Takes: Canopy by Jared Eisenstat, The Overnighters by Nicolas Rapold, Stop the Pounding Heart by Justin Stewart, The Two Faces of January by Steven Mears, Wetlands by Nicolas Rapold, The Zero Theorem by Laura Kern

Home Movies: The Essential Jacques Demy by Michelle Orange, The Lego Movie by David Filipi, Favorites of the Moon by Max Nelson, I Vinti (The Vanquished) by Jared Eisenstat, Modern Life by Steven Mears, I’ve Always Loved You by Patrick Friel, Herzog: The Collection by Gavin Smith, Queen Margot by Sarah Mankoff, The Cosmopolitans by Morgan Wilcock

Readings: Introduction to a True History of Cinema and Television by Jean-Luc Godard, reviewed by Nico Baumbach; Hou Hsiao-hsien edited by Richard I. Suchenski, reviewed by Andrew Chan; Film and Urban Space: Critical Possibilities by Geraldine Pratt & Rose Marie San Juan, reviewed by Michael Joshua Rowin; Consumed by David Cronenberg, reviewed by Nathan Lee

Graphic Detail: Hisamitsu Noguchi by Adrian Curry